[19:"[19,0,0,4,29,30,1]",83:"[83,0,0,4,29,15,1]",106:"[106,0,2,1,25,58,1]",107:"[107,1,1,1,25,58,1]",108:"[108,2,0,1,25,58,1]",128:"[128,0,4,2,17,72,1]",129:"[129,1,3,2,17,72,1]",130:"[130,2,2,2,17,72,1]",131:"[131,3,1,2,17,72,1]",132:"[132,4,0,2,17,72,1]"] Quentin Metsys (1465/66-1530) In Dutch painting, Quentin Metsys marks the transition from the 15th century tradition to the Renaissance. Little is known about the life of this son of a Louvain coppersmith. He became a Master in the Antwerp Guild in 1491. Only his works dated from 1509 on are known. Their draughtsmanship remained Gothic in spirit but the ample layout and fine modelling are decidedly Italian. Other works attest to his concern for atmospheric rendition in his landscapes. His portraits of humanists , such as Erasmus, provide solid evidence of the Italian influence. Toward the end of his career, he was certainly influenced by Leonardo da Vinci , and this is particularly evident in his taste for caricatured old people. Works in the Louvre's collection: - The Banker and his Wife - Virgin and Child - Pieta